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January 2010

January 28, 2010

Does Posh Spice ‘Wannabe’ a Hotel Designer?

By Stacy Straczynski, Associate Editor

Victoriabeckham_thumb Forget “Bend it like Beckham.” “Design it like Victoria” could be the new catch phrase, at least for the hotel industry. Rumor has it that earlier this week Victoria Beckham, former Spice Girl turned fashion diva and recent guest judge on American Idol, was offered a whopping £25 million (over $40.5 million) by Dubai ruler Sheik Mohammad Bin Rashid Al Maktoum to design a new luxury hotel.

The property, according to London’s The Daily Mirror, is located off the Dubai coast on a man-made island called Isla Moda. The upcoming fashion-themed 250-room resort, designed in cooperation with Karl Lagerfeld, aims to set Dubai as one of the world's top fashion destinations by having a variety of famous fashion designers work with developers to create exclusive boutiques and themes.

Isla moda While Dubai’s media office announced yesterday (Jan. 27) that the reports were false and that “the vice president did not send any e-mail, invitation of financial offer to Beckham, and this information is baseless,” a spokeswoman for Beckham earlier this week did not confirm or deny the rumors, mentioning that "Victoria is always keen to look at ways of growing her business but for now her focus is New York fashion week next month."

It seems that this is a case of someone letting the cat out of the bag too early. Either way, it’s obvious that Posh is looking to expand her design career, just like many other celebrities. (How can we forget that Paris Hilton says her official “career” is a handbag designer?)

No doubt a celeb moniker on a project’s design team list would automatically boost publicity and public interest, but I’m forced to ask, “Can they really design?” I mean, sure, designing hand bags and clothing lines is a tough field to master when trends change so swiftly from season to season, but do celebs have what it takes to create a lasting impression in structural and interior design beyond their name? Or will their designs resemble paparazzi-ed drama and quickly fade?

Let me know what you think by commenting below. I’m interested to hear your take on celeb “wannabe” designers.

January 26, 2010

Would You Hire Architect Barbie for Your Next Project?

By Stacy Straczynski, Associate Editor

I-Can-Be-Poster Barbie may soon be shedding her Malibu-worthy bikini and sunglasses for a T-square and some proper office attire. A new online poll from Mattel is giving consumers a chance to choose Barbie’s next career foray (her 125th), and Architect made the list of distinguished professions—along with environmentalist, surgeon, news anchor, and computer engineer.

The global “I can be…” campaign, the result of a partnership between The White House Project and Take Our Daughters and Sons to Work Foundation, aims to inspire girls to “pay out their dreams and explore the world and all of its possibilities,” according to a statement by senior vice president of Barbie Marketing Stephanie Cota.

Consumers can cast their vote for Barbie's next career at www.barbie.com/vote. The winning career will be announced on Feb. 12 at the New York toy fair. Mattel says the company is not releasing any information about the current poll results in order “to keep the vote fair.” It mentions that design concepts for all five potential dolls have been completed, however, only the winning look will actually be revealed.

To date, Barbie has yet to “take on” an architect role. I tried to get in touch over the last few days with a couple top women architects to pick their brains, but unfortunately none returned my calls. How would the industry feel about having Barbie “promote” their field? Would it bring some prestige, or have the opposite effect? And what would an architect Barbie look like anyway? I wonder if she’ll come with her LEED certification…

Personally, I’m a bit skeptical about how excited little girls will be about the potential Architect Barbie. I know I myself centered my childhood aspirations on Hollywood fame and fortune, (I laugh now to think that I’m happily a penniless journalist now) but who’s to say that having a Barbie or two with a more high-profile career wouldn’t have inspired me in my youth to pursue a different direction?

Kids need role models these days, and if an Architect Barbie can help to decrease the psychological damage done by mid-riff bearing pop stars like Brittney Spears and Amy Winehouse, then I gladly give my kudos--and my vote.

January 21, 2010

Photos from SCAD's New Evans Center

By Stacy Straczynski, Associate Editor


A groundbreaking ceremony for Savannah College of Art and Design's new Walter O. Evans Center for African American Studies will be held today at 4:30 p.m. at 227 Martin Luther King Jr. Blvd., Savannah, Ga. Admittance is free and open to the public. Read more at ContractMagazine.com.

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SCAD Museum of Art breaks ground for historic museum expansion. Pictured left to right, Linda Evans, Dr. Walter O. Evans, SCAD president Paula Wallace, SCAD architecture student Anthony Cissell, Christian Sottile, Sottile & Sottile, SCAD professor of architecture Emad Afifi.

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SCAD president Paula Wallace with Walter and Linda Evans. (Photo by Adam Kuehl, courtesy of SCAD)

Here are some renderings of the new building now underway (Credit: Architectural rendering of the SCAD Museum expansion, Sottile & Sottile):

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Salvaged Sustainability

By Stacy Straczynski, Associate Editor

AlchemyEveryone’s eyes seem to be green these days—and it’s not from envy. Sustainability is the word, and I’m sure the media has already covered almost every possible angle to greenwash us by now. (Quite frankly, I’m a bit jaded by it all myself.) But this one story that came across my desk about a start-up retail design studio in East London really caught my eye due to its innovation and feel-good vibes.

When it formed during the middle of the credit crunch last January, Campaign didn’t have extra dollars to spend on fancy high-end worktables for is small staff of five—four employees and a “designated mascot” pug named Effie. Rather than shell out cash it didn’t have, the company used its creative juices to rethink the traditional worktable (pictured right). The employees went to the streets of its surrounding metro area and reclaimed any type of abandoned furniture they could find, searching street corners, dumpsters, etc. Tables, chairs, cabinets, and even lamps were fair game. Once collected, the team gave the pieces a white finish to revitalize its appearance, compiled an interesting arrangement, and then bolted them together to create one single, albeit unique, piece of office furniture.

The Alchemy Table, as it’s now called by Campaign, has grown with the company over the last year. As more staff members joined the team, each have made some sort of contribution to the “work of art.” The homespun project is now not only a success in recycling, but can be interpreted as a symbol of successful teamwork and group collaboration.

January 20, 2010

Going MAD for Robert

Last night I attended an event at the Museum of Art & Design (MAD) in New York City to celebrate the opening of Robert, the museum’s new restaurant that opened mid-December on its ninth floor. From the time I walked off the elevator (which opened exclusively to the restaurant as it takes up the entire floor) to the farthest corner of the space, I was continuously amazed at not only the gorgeous design elements but the intricate way all the colors—some of which were extremely bold to the point where they would be borderline obnoxious in any other setting—blended together to resemble a warm nighttime glow that could only be likened to New York City.

Here are some of the photos I took to give you a closer look:

 

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Entering from one of the floor's two elevators (to the left in the photo), guests first see a lunge-like seating area with glass-topped aluminum tables (by Philip Michael Wolfson) and colorful chairs by Vladimir Kagan. The metal table bases reflect the light and colors in the room to create a soft glow of intermingling hues.

 

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The lighting system, designed by Johanna Grawunder, features LED panels that emit a pink glow that fills the room with a warm hue to resemble the nighttime lights from the city outside. The ceiling is also covered with black textured tiles to add depth and appeal even at ceiling level.

 

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Looking closer at the seating designed by Vladimir Kagan and the aluminum base table by Philip Michael Wolfson, it's interesting to note how the pieces can be so different yet work so well together. As an added bonus, the seats are exceptionally comfortable, which will allow for  long periods of comfortable conversation.

 

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This communal table by Philip Michael Wolfson was inspired by sound waves in music and is a part of his Soundform series. The coloration and metallic hues blend well with the gold lighting from the LED lights along the wall.

 

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Philip Michael Wolfson took some time to speak to me about his designs for the tables and reception desks, as well as discuss some of the challenges he faced in working with so many other designers on the project. Wolfson expressed how much fun he had and looks forward to exhibiting his Soundform line.

 

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Small glass orbs filled with water and a single pink flower added a touch of class and lightness to the tables. There's just something about a single flower that, for me, always takes a space to that next level of sophistication.

 

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The carpet in the "lounge" area was soft and plush with a velvet-like texture. The block pattern of bright red and deep purple works well with the muted lavender tone, which matches the matte silver wall shades.

 

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Intimate dining lines the outerwalls of the restaurant and provides diners views of Columbus Circle and Central Park. The floors are covered with silver tile decorated with a small square pattern for a distinct yet not overpowering sense of texture.

 

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Perhaps the most important feature of any upscale dining venue for serious foodies, the impressive refridgerated wine rack casts beautiful illumination upon the grand piano. (If you go, try the Isabell wine. It's absolutely wonderful with its hidden notes of florals.)

 

January 19, 2010

Good Luck (the Second Time Around)

By Stacy Straczynski, Associate Editor

Who says you can’t have another shot at glory? Well, Architizer.com, says you should--and can.The online architect community’s first award for architecture work aims to recognize “the gems that almost made it. That should have made it.”

Competition-Competition-2010 So, if you feel you had a great project in 2009 that didn’t get its due credit, consider Competition Competition 2010. Entry is free and winners will be determined by a jury of top industry professionals, including architect Juergen Mayer H, LOT-EK’s Ada Tolla, Della Valle Bernheimer’s Jared Della Valle, and Contemporary Architecture at MoMA curator Andres Lepik. Award recipients will receive $1500 and an exhibition in New York City.

Project entries will also have the opportunity to be followed online by Architizer’s users (found via the CC2010 tag on the Architizer blog). The project with the most followers by the Feb. 15 submission deadline will also be awarded a prize.

While on one hand, the competition presents a unique chance for the industry to take another look at some very deserving work, I think it might be a bit jaded to dole out honors for projects that didn’t quite make the mark. But who am I to judge? If you previously entered an industry award and failed to bring the laurels home last year (and you don’t mind capturing the No. 2 title), then here’s your chance.

Good luck to all the contestants (the second time around)!

January 15, 2010

HOK’s Leigh Stringer Talks Green

By Stacy Straczynski, Associate Editor

StringerStraczynskiLG I attended my first event for Contract Magazine last night—a book signing at the AIA in New York City(the building is actually located just several blocks away from my office) for The Green Workplace: Sustainable Strategies that Benefit Employees, the Environment, and the Bottom Line.

I was lucky enough to be able to snag some time prior to the event with the book’s author Leigh Stringer, LEED professional, vice president of leading architecture firm HOK, and editor for TheGreenWorkplace.com blog. Stringer filled me in on some of the high points of her book, such as how sustainable design isn’t limited to architecture alone but can transcend boundaries to all aspects of business and how human behavior will be a driving factor to the success of sustainability going forward. I was captured by Stringer’s passion for sustainability and how her eyes were always aglow when we touched on topics that really inspired her.

One interesting point she made was how there is a direct correlation between today’s green building efforts and the economy. She, like others in the industry, fears that the drive to save money by StringerLG conserving energy (which does offer great savings to the bottom line) may quickly fade once the recession comes to an end. But she does make the point that this ebb is to be expected. Even though the green movement may wane slightly—people are already feeling a bit drowned out from the “greenwash”—Stringer feels that its inherent notes of innovation are here to stay. Such innovations already have led to inventions such as edible utensils and erasable Xerox paper that aim to rethink our current way of life.

Additionally, Stringer touched upon the future of design and believes sustainability will be one of the driving factors to growth and innovation in not only buildings and interior design but in technology, as well. She mentions further research and experimentation into biomimicry—an attempt to mimic the designs found in nature—to further improve upon sustainable ideas and to conserve energy. For example, a termite mound stays at a consistent internal temperature of 87 degrees at all times of the day (even when the desert reaches temperature of over 100 degrees during the day and plummets due to underground channels and flaps to regulate the air flow.

Ultimately, Stringer feels that the challenges green designing has presented to her and HOK, as well as the industry as a whole, has revitalized a previously stagnant market. Now, designers once again have a pressing reason to think outside the box with big picture ideas with Transformative Design and pushing the limits of what’s been done before, as well as their own limits of creativity.

(Read an excerpt from The Green Workplace on this topic, and check ContractMagazine.com on Tuesday for our exclusive Q&A with Stringer.)

January 14, 2010

Damaged Designs in Haiti

By Stacy Straczynski, Associate Editor

Among all the reports around the Web covering the destruction from the earthquake in Haiti, I came across this list on archiplanet.org that relays specific damage to buildings and landmarks:

Landmarks and Damaged Buildings of Port-au-Prince, Haiti

  • Port-au-Prince Cathedral - Major damage
  • Presidential Palace - Major damage and partial collapse
  • Saint Louis Roi de France Church - Major damage and partial collapse
  • Hotel Oloffson
  • St. Esprit Hospital
  • United Nations Headquarters - Collapsed 5 story building, 10 rescued, over 100 feared dead
  • Villa Creole Hospital - Still standing
  • Montana Hotel
  • Toussaint L'Overture Airport - Collapsed control tower. Runways functional. Air traffic control may be provided by U.S. Coast Guard cutter.
  • Université d'État d'Haïti (UEH)
  • Port-au-Prince U.S Embassy

It seems that the list is being updated as new information comes in. Please share with us any news that you find. Be a part of the relief effort, which Contract Magazine editor in chief Jennifer Busch blogged about earlier today, by donating to Architecture for Humanity.

AFH Responds to Haiti Disaster

Architecture for Humanity, the not-for-profit organization that responds to catastrophic humanitarian disaster with long-term design solutions, is responding to Tuesday’s devastating earthquake in Haiti, which has left widespread destruction and thousands dead according to official estimates. In an email blast, AFH executive director Cameron Sinclair said, “We have launched an appeal for supplying construction and design professionals and supporting earthquake resistant housing and community structures.” AFH does not provide emergency services to disaster-ridden areas, but focuses instead on housing displaced persons in the long-term, and rebuilding safer and stronger buildings.

For more information on Architecture for Humanitiy’s activities in Haiti, or to donate money or volunteer to participate in future rebuilding efforts, visit http://www.architectureforhumanity.org/

 

January 13, 2010

An Afternoon (Design) Snack

By Stacy Straczynski, Associate Editor

Snack A healthy dose of design news to get you through the remainder of hump day (in handy bite-sized snippets):

• The American Institute of Architects (AIA) Committee on the Environment (COTE) has extended their deadline for online submissions for the 2010 COTE Top Ten Green Projects awards program. The new deadline is 8:00 p.m. EST January 22, 2010.


• The USGBC is calling for qualified members to serve on five recently formed committees and subsequent working groups. Deadline is January 18.


• The Marketplace worktable by Teknion was awarded iF seal of design excellence in the Office/Business Category for this year’s 2010 iF Product Design Competition. The table features a triangular truss that spans up to 20 feet to fit up to 10 people comfortably. 


• Architect Costas Kondylis, AIA, launched Costas Kondylis Design, a New York firm centered on LEED and environmentally focused projects, in December.


• San Diego's Ivy Hotel, with architecture by SB Architects and interior design by Powerstrip Studio, is set to become a Hyatt-branded Andaz property. The hotel features a rooftop pool and lounge, wine bar, and nightclub.

What news caught your interest this week? Let us know by adding a comment to this blog post below.